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Over the last years my "Color Photography" has been primarily monochromatic tinting of prints. An assemblage of these pieces would create a multicolored collage. The reasoning was more practical than theoretical. I simply could not find the correct 'internal architecture' to apply color within one print. The sketching process of reworking the scans on my computer gave evidence that I no longer was forced into 'collaging' to achieve different results, but could work directly into the piece if the structures allowed it.